Food & Culture

Remembering Old Seattle

Ron Chew’s memoir is a deeply personal look at the tight-knit Asian American community

By Seattle Mag October 27, 2020


Ron Chew is well-known in the Puget Sound region as the former editor of the International Examiner, a news outlet focusing on the Northwest’s Asian Pacific American communities, and as the former director of the Wing Luke Museum, which documents the Asian Pacific American experience. Chew led the successful campaign to transform a historic hotel into the museum’s permanent home. Chew’s book, My Unforgotten Seattle, is a deeply personal memoir about the tight-knit Asian American community in the region. In October, it was published by the International Examiner and distributed by University of Washington Press.

Here’s an excerpt:

In early fall of 2016, I left my house on Beacon Hill to start my 5 a.m. run. I donned my usual attire: a long-sleeved T-shirt, a neon-yellow windbreaker, gloves, sweatpants and a bright headlamp. My two sons slept. 

The streets looked abandoned. A brisk wind whipped past me, scattering dry leaves along the sidewalk. I reached the southeast corner of Spokane Street and Beacon Avenue South. I ran on a dirt and gravel trail along the edge of the Jefferson Golf Course, surrounded by bushes and shrubs and a lane of trees. I felt like I was entering a secluded forest. This pleasant illusion evaporated when the first early morning golfers arrived, wheeling bags behind them. For now, it was wonderfully peaceful. 

My mind drifted back in time. I remembered when there were few cars, no traffic jams. I knew all my neighbors. Friends sent handwritten letters. Cell phones, the internet, personal computers and social media didn’t exist. The downtown skyline was dominated by the Smith Tower. I didn’t feel uneasy about going anywhere late at night. The only major league sport in town was Big Time Wrestling, staged for naïfs like me. 

On my return jog, cars and buses began to fill the streets. Car horns, exhaust fumes and pedestrians hurrying toward bus stops broke my reverie. 

I thought about the murder of Donnie Chin, founder and director of the International District Emergency Center. He had been a friend most of my life. It had been a year since his death. He was a native son of Seattle like me, immersed in Chinatown activities and shaped by the civil rights movement. He was 59, a few years younger than me. I still hadn’t accepted that he was gone. 

Donnie worked as a self-taught street medic in Canton Alley. On July 23, 2015, he was killed in the crossfire between rival gangs. Responding to reports of trouble at a nearby hookah lounge just before 3 a.m., he drove his car along Eighth Avenue South, where he was struck by a sudden hail of bullets.

After a year of waiting, Donnie’s killers had still not been identified. As the days and months stretched on, I knew that justice might never come. 

I sprinted past the Beacon Hill Library, its glass and slate-shingle façade glittering in the early morning sunshine. I made a last turn for home. I quickly showered and dressed. Dark thoughts dogged me for the rest of the day. 

In the week immediately after this run, I decided to write this book. Donnie’s passing reminded me of the fragility of life. His death awakened the memory of another friend, Gene Viernes. He and fellow activist Silme Domingo were gunned down on June 1, 1981, at the cannery union hall in Pioneer Square. Gene moved here from Wapato, a small town in central Washington, to work with Silme on union reform and to protest against repression in the Philippines. I thought I had come to terms with their deaths. Maybe I hadn’t.

In the year-and-a-half following Donnie’s passing, a raft of Donnie’s activist peers died in swift succession. Tsuguro “Ike” Ikeda passed on December 2, 2015, Wilma Woo on January 26, 2016, Ruth Woo on July 13, 2016, Rachel Hidaka on July 28, 2016, Bob Santos on August 27, 2016, Charles Z. Smith on August 28, 2016, Frank Fujii on October 3, 2016, and Al Sugiyama on January 2, 2017. 

Ike, Auntie Wilma, Auntie Ruth, Rachel, Uncle Bob, Charles Z., Frank and Brother Al were community heroes who steered Seattle from its stolid neglect into a new era of racial inclusion and social consciousness. I feared they would be forgotten, like wax figures shunted to the darkened corner of a museum gallery.

Where were the people I grew up with? I didn’t see them on the Hill. I didn’t bump into them in Chinatown. They resettled in places we once considered a separate universe — North Seattle, Shoreline, Everett, Bellevue, Issaquah, Maple Valley, Kent, Skyway, Burien, Federal Way and Tukwila. I reconnected with them on Facebook, not in person.

The “hood” was no longer my hood. I felt like a ghost transported to the future. I was lost. I woke to discover “Notice of Proposed Land Use Action” signs everywhere. Skinny new homes and tall apartment buildings — made with bland earth tone panels and flat windows — cast jarring shadows over the aging bungalows and ramblers. 

My new neighbors, young professionals, arrived all at once. They snatched up older homes, replacing rusty wrought iron railings with wood balusters. They tore up front lawns to make space for ornamental potted plants, stone statuary and little garden benches. Along Beacon Avenue South, I saw roving bands of homeless people begin to camp under bus shelters.

The world I knew was nearly gone. I was witnessing a kind of climate change, certain and irreversible. 

In early September 2016, I began writing this memoir to pay homage to the city I once knew and the people and places that defined its character for me and a generation of peers. I went to my basement to scour personal papers, documents, newspaper clippings and sepia-tinted newsletters. 

On August 27, 2017, my cousin Ben and I drove to the University District to find the exact location of the old hand laundry that my father and his brother operated in the 1950s. The laundry — at 1316 N.E. 43rd Ave. — is now Samir’s Mediterranean Grill. Ben and I chatted with the owner, Samir Alawar. He was an effervescent 61-year-old refugee from Lebanon who remodeled the space in the 1970s. Ben and I then went to look for the old house in which I spent my first year or two of life. Ben’s family lived there, too. It was three blocks away, at 4134 Brooklyn Avenue N.E. It had been demolished to make way for a five-story apartment building. 

I was reminded that our history is built on the precarious foundation of what is remembered, acknowledged and disclosed. In the new Seattle, I still had much to discover of my own past.

Join The Must List

Sign up and get Seattle's best events delivered to your inbox every week.

Follow Us

Arts: Seattle's Rap Party

Arts: Seattle’s Rap Party

The sound that is now defining Seattle

Seattle has never wanted to be cool — and that’s precisely what makes it so. When the grunge movement of the ’90s sprung to the forefront of mainstream American culture, Kurt Cobain’s ripped jeans and thrifted cardigans did so in direct opposition to perfectly over-tweezed eyebrows and super-synchronized boy bands. As Clark Humphrey writes in…

Book: A tribute to  Northwest Films

Book: A tribute to Northwest Films

New book details a thriving, rich film culture

David Schmader lives in El Paso, Texas, now, but he’s no stranger to Pacific Northwest culture. Schmader is a former staff writer and editor at Seattle alt publication The Stranger, where he wrote the popular column, “Last Days: The Week in Review” for 18 years. He is also a performer, and his solo plays were…

What this year's Seattle-based SIFF films say about our changing city

What this year’s Seattle-based SIFF films say about our changing city

Seattle may have parted from grunge, but self-expression in spite of convention remains a local state of mind

Seattle may change, but at its core, it will always be that angsty 90’s kid. This year’s Seattle International Film Festival’s (SIFF) lineup of Northwest-centered films presents a reflection of our city from past to present. Over the years, the ongoing conversations about the changing face of Seattle have permeated all industries from tech to…

Arts: Seattle's Architect of Light

Arts: Seattle’s Architect of Light

Italian-born artist Iole Alessandrini explores the beauty and emotional impact of working with light

How many colors do you see?” Artist and architect Iole Alessandrini asks me this on a cold, windy evening in late February. We’re sitting in an attic-like nook in her apartment at West Seattle’s Cooper Artist Housing, a 36-unit former school that has been transformed into an affordable live/work space specifically for artists. I’m looking…